Huginn in Old Norse is “thought” and Munin in Old Norse is “memory” or “mind”. This Illustration shows Huginn (thought) looking forward to the future and thoughtfully looking toward Muninn (memory). This represents how we or Odin might look back on memories and think about them whether good, bad, or indifferent. You will notice that Huginn’s body is facing forward toward us the viewer and his head to the right or looking forward as if toward the future. Thought can look at the memories of the past, think about the present, and contemplate the future. Muninn has his back to us and is looking to the left past Huginn or past thought. Since memory is about things that have already taken place, we see Muninn facing back and looking to the left, or looking at the past. Muninn sees all that has already taken place and stores the knowledge of all that was.

In Norse culture and poetry from the Viking Age, Odin is known as Hrafnaguð (the raven god), and the ravens are often used to represent him in images, speech, and literature. Odin is also known as Hrafnblóts Goði (the priest of the raven sacrifice), some sources refer to the warriors slain in battle as being sacrifices to Odin and to the ravens. Odin rules Valhalla and chooses worthy warriors slain in battle to enter the great hall and live there until Ragnarök, when they will all join Odin in the final battle that is to come. The Norse poets have been known to use Huginn and occasionally Munnin as a replacement for the word raven. Blood has been seen as their sea or drink. The warriors have been said to be the ones that redden (or bloody) the ravens’ claws and/or beaks. We also see references to the battle being the ravens’ feast. So in this illustration of Huginn and Muninn, we see they are perched on a Viking axe driven into a Viking shield, the acts, and remnants of a glorious battle. This imagery represents the battle and the warriors who participated in it. It represents one warrior’s victory over another, and the honorable battle and death that took place between the two. The skull in the snow represents the fallen warriors and sacrifice to the ravens and Odin. The fallen warrior looks towards the ravens and the battle valiantly fought. This can also be interpreted as the fallen warrior looking toward his new place in Valhalla, as the skull is looking toward Huginn and Muninn, a representation of Odin who rules Valhalla. The ravens are also thought to be a possible physical manifestation of Odin’s thought and memory (or mind) which is why he fears they might not return.

Finally, we come to the setting of the scene. To honor the origins of these stories and rich culture I took inspiration from different parts of Norway. The illustration features a prominent moon in the background, the side, angle, and textures seen in the moon are based on photos taken of the moon from Norway. The lake and mountains in the background are from one part of Norway, while the inspiration for the snow and field is taken from other parts of Norway. I was more concerned with telling the story in a visually compelling way and referencing the region as a whole than I was with accurately representing one location. The snow has many meanings behind it as well. The calm cold aftermath and death after a battle. The cold, long, harsh yet beautiful winters that the Vikings survived. The winter snow that covers everything, just as winter and death will eventually cover us all. But just as winter leads to spring so death can lead to our next life. The way we live is what determines what that next life will look like.

The Norse culture and stories that inspired this illustration and my artist’s statement are far deeper and richer than I went into. I encourage you to do your own reading and research to learn more.

This illustration is hand drawn digital ink piece done in photoshop, using a Wacom Cintiq and True Grit Texture Supply Brushes.

Thanks for reading -Skål!

I played off all of this as inspiration for this illustration. The iconic lightning bolt from Aladdin Sane, Ziggy Stardust’s evolution, and Bowie’s position as a star now. The stars in the lightning bolt are a reference to Ziggy Stardust, especially the cluster in the middle of his forehead, which is a wink back to the moon Ziggy wore on his forehead. The background is a reference to the celestial nature of Starman, and his message of hope to our planet’s youth. There is also the reference to a space invader from “Moonage Day Dream”. The lighting also speaks to his message of hope and celestial nature. The lightning bolt which is no longer just mere makeup on his face, but expanding out on either side can be seen as Bowie’s rise to fame, his and our minds expanding, and as a reference to blowing our minds. If you zoom in and look closely at Bowie’s left eye in this illustration, you will see space, stars, and parts of a galaxy in the pupil. Perhaps referencing The Starman’s view into something bigger and more vast than we understand.

This illustration though it may look like it could have been painted with acrylic or oil is actually a digital painting. I painted it by hand in photoshop using a Wacom Cintiq. Before I began the digital painting, I did research on David Bowie, his Ziggy Stardust and Aladdin Sane personas, and of course the albums and songs that influenced this piece. I worked from dozens of reference photos to make sure I could truly capture “The Starman”. I also listened to the music of David Bowie while working on this digital illustration to stay inspired and connected to the incredible artist. As with all my illustrations I started with a sketch and line drawing before I started painting. To get the final painterly look and feel I used photoshop brushes that have a feel like traditional brushes. I also applied some paper textures over the final digital painting to make it feel like it could have been painted on illustration board.

Once my digital illustrations are finished I send them off to a professional Giclee printer. These Giclee prints are museum-quality, archival, fine art prints. Printed using Giclee Pigment Inks on Acid-Free Archival Paper. They are high-resolution, with accurate color, they are acid-free for a longer print life.

If you want a limited edition fine art print head over to my shop or tap the link below.